Crane song phoenix rtas
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When the input trim and output trim controls are at 0dB, (no change in gain) and no tape process is being added to the sound, the plug-in is bit accurate, meaning the output exactly matches the input. This can be useful on material that is hitting close to or at digital zero and on material that has a low recorded level. The input trim can also be used to prevent clipping in the rare cases where clipping may be a problem and bringing up the level of a track for an increased amount of color. You can make Phoenix II distort, but it’s not really designed to do so in the way that, for example, SoundToys’ Decapitator is. A level control determines the amount of the Phoenix II process integrated into the audio signal, and an input trim determines “how hard you hit the tape.” Because the DSP process is level dependent, the input level trim control has been improved and an output trim control has been added. The tape emulation algorithms used in the Phoenix plug-in derive originally from those developed for Crane Song’s HEDD A-D converter. Gold is the position where the color is approximately flat in frequency response, with Sapphire being a brighter, and Opal being a warmer tonality.
![crane song phoenix rtas crane song phoenix rtas](https://www.retrosonicproaudio.com/retrosonic-future/images/products/uad-2-satellite-tb3-octo-custom-m.jpg)
Phoenix II has five different tape-analog characteristics, The type is selected with a switch for easy comparison between the types, and the brightness is also selected with a switch.
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Phoenix II is a ground-up application derived from HEDD technology, and specifically engineered and optimized for Avid’s PT 10 architecture. The next-gen Crane Song Phoenix II being one of them For years, Crane Song’s Phoenix plug-in has been renowned to top mixes off with its unique properties of a magnetic tape machineso long as you had a Pro Tools rig that could support the original TDM format. The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder’s record/reproduce electronics and equalization curves. His intimate knowledge of analog electronics, as well as decades of experience as a recording engineer has spawned a very useful, musical suite of plug-ins.
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“Designer Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service’s much heralded ‘Aria’ discrete tape recorders. For more information on the plug-in, read on for data straight from Crane Song:
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The plugin is available now for $450 MSRP with the Mac version available by November 1st. Piracy is not yet an issue with GPO (Garritan Personal Orchestra) but that will probably change.Now with the announcement of Pro Tools 10 and its new AAX format, the Phoenix II will be available for not only the new Pro Tools HDX DSP systems, but also the Pro Tools HD Native systems (Questions about the new Pro Tools? See our overview here). The author makes a compelling case about the effects of piracy being overstated. In my experience, b, c and y are huge factors, while a is very minor." (Ignoring z, since in most cases it can only be 0: How do you "donate" back to MS? Note this isn't a piracy problem, but rather companies refusing to accept the reality of the world: that these people exist.) Pride can be quite a detriment.Īlso note, every group except x and d can bring more members to every group. Not such a bad thing in my books, perhaps even a good thing.
![crane song phoenix rtas crane song phoenix rtas](https://images.reverb.com/image/upload/s--u5nLxNky--/t_card-square/v1639531448/yefsubvo4ltdu0gmk0wq.jpg)
So the only thing those people could cost you is an injury to your pride.
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Note that b, d and e won't pay no matter what, and so are simply free advertising, and not a lost sale. The equation now looks like this: x' = x - a + c + y + z*(whatever ratio you consider these donations to be worth)
![crane song phoenix rtas crane song phoenix rtas](https://images.reverb.com/image/upload/s--pHnb08dH--/t_card-square/v1631847922/ggj6jq6m5mzoykr6kmon.jpg)
I'm not saying anything about anyone's morals, right or wrong, simply how their actions affect the developer. Those who won't/can't buy your program, but donate in other ways - (z) New people refered/introduced to by pirates other than (a) - (y) collectors who pirate, but don't use - (e) "Try before you buy" who decide it's not worth it - (d) "Try before you buy" who then buy - (c) Those who won't pay, but heard of it through piracy - (b)
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Those who would have payed if no crack was avaliable - (a)
![crane song phoenix rtas crane song phoenix rtas](https://plugintorrent.com/wp-content/uploads/2021/02/9a73c46923018d340fcbc406464f6693.jpg)
The equation created is x' = x-y meaning piracy has cost you y sales. "What most people seem unwilling to recognize is that there's a lot more factors to consider. Here's a post I read at Garritan's Forum, and it seems to make sense to me: